The Shadow Knows

The Shadow in the Mirror

Noir Car

Noir Iconography: Symbolic Overload

In Moby Dick, We Find a Summary of Noir: "Ahab stood before them with a crucifixion in his face"

Noir Ceiling

Noir Mirror

In the Noir Pool, There's No Lifeguard on Duty

Archetypal Noir Topography: Man in the Foreground, Shadowy Woman Behind

Amorphous Shadow + Bandage + Raised Eyebrow = Noir

Exit, Pursued by Light

It's Not Just the Shadows on the Wall; It's the Shadow on Your Face

Not Every Guy in a Trench Coat is a Detective or a Thug

Last Year at Marien-Noir

The Noir Mise-en-Scène Reflects a State of Mind

Noir Nature

If You’re Looking for A Smile in Noir, Look for The Drawn Gun

No Matter How Dark the Content, Hollywood Noirs Always End with a Hint of Bliss

Savage Eyes: A Little Too Close for Comfort

Not Every Wet Dark Street is a Noir Tableau

In Noirs, as in Horror, It's All About the Eyes

In the Best Noirs, Something is Stylized

In Noirs, a Gunshot is Indistinguishable from a Kiss

Noir Protagonists are Not Torn by a Morally Ambiguous Choice: They are Just Torn

In Noirs, as in Paradise Lost, Darkness is Visible